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matangi_parrot48Sarbani Rath
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Purāṇa

Puruṣottama-Mahātmyaṁ

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Om Namo Bhagavate Vāsudevāya

Skanda Purāṇam

Viṣṇukhaṇḍa

 

Chapter 1

Once, the sages gathered around maharṣi Jaimini and addressed him, “ O great one! You have the knowledge of the entire śāstras and you know the greatness of all the pilgrimages. Earlier you had mentioned the name of the most sacred and great pilgrimage called Puruṣottama kṣetra (region), where paramapuruṣa Śrī-Iśa Lord Nārāyaṇa Himself has assumed the form of a wooden body by emerging from a glow of light. Such is the greatness of the place that anyone having a glimpse of the lord is liberated instantaneously. Please describe to us in detail as to who constructed this great kṣetra and how it came into being. Tell us, how is it possible for Nārāyaṇa to exist in a wooden form”. Jaimini replied that he had heard the details of this kṣetra from Kārtikeya, when he had narrated it atop Mandār Parvat (mountain) in a gathering of gods and learned men.  Those who hear these narrations are freed from the evils of tamo guṇa but those who are not inclined towards Viṣṇu, will remain indifferent upon hearing such descriptions. Jagannath, who is the cause of all creation and destroyer of sins, exists in many pilgrimages, but this kṣetra is the most superior, as the Lord Himself exists here in His own body. The great God Himself assumed a wooden form and established himself in this temple. Those who visit the place have their sins destroyed and those who view the Lord are fortunate beyond description.

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Nakṣatra Puruṣa Vrata

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The Nakṣatra Puruṣa Vrata, wherein each part of Viṣṇu’s body is worshipped, following the transit of the Moon in the 27 nakṣatras, is considered to be one of the supreme vratas elucidated in the purāṇas. As explained by Pulastya to Devaṛṣi Nārada in the Vāmana Purāṇa, it begins with a description of the nakṣatrāngas (parts of the body representing the different nakṣatras) of Lord Viṣṇu. The 27 nakṣatras are said to represent the Divine Body in the following manner. Mūlā nakṣatra are the Lord’s lotus feet, Rohiṇī and Aświnī are his shanks, the two Āṣādas his buttocks and the two Phālgunis his privies. Krittikā is his waist, Anurādhā his thighs, Dhaniṣṭhā his back, Viṣākhā his arms, Hastā his hands and Śatabhiṣāj his ankles. Maghā represents his nails, Jyeṣṭhā his neck, Srāvaṇa his ears, Puṣya his lips and Svātī his teeth. The jaws are ruled by Punarvasu, Mitrā his nose, Prajāpati his eyes and Indra his hair. After describing the nakṣatra-parts of the Divine Body, Pulastya goes on to describe the ritual of the Nakṣatra Puruṣa Vrata.

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